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[Épinglé] Theme of the month: Restitution/repatriation of looted artefacts

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Nmbure
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As stated by the Collections Trust, restitution is the process by which cultural objects are returned to an individual or a community, while repatriation is the process by which cultural objects are returned to a nation or State at the request of a government.

Today, it is estimated that 80-90% of Africa’s cultural heritage can be found in European museums, many of which were looted during the colonial period. In France only, the 2019 Sarr-Savoye report commissioned by the Head of State on "The restitution of African cultural heritage” reveals that more than 90,000 objects from sub-Saharan Africa are currently being held in French public collections, which arrived for the most during the colonial period and came from spoils of war, looting, scientific expeditions or various acquisitions.

Since the Independence era, many African countries have initiated efforts to proceed to the return of looted artefacts. This is the case of Nigeria, for example, where 2 artefacts from the “Benin Bronze” collection looted by the British army in 1897 returned to their country of origin in 2014; or more recently the case of Benin, where 26 artworks from the royal treasures of Abomey looted in the 19th century by French colonial troops were returned to Benin in 2021.

While these initiatives are a good start towards restitution and repatriation of African heritage, they do not make us forget the large number of artefacts still held outside of the continent. This is the theme that we are inviting you to discuss throughout this month.

Weeks 1 & 2

For the first topic of discussion of this month, we are looking at museums, as guarantor institutions of the acquisition, conservation and valorisation of cultural artefacts, and we ask the question:

What is the role of museums in the restitution/ repatriation efforts of artefacts illegally carried away from their communities ?

Weeks 3 & 4

For the second topic of discussion of this month, we are focusing on the acts of restitution and repatriation of African artefacts, and we ask the question:

How do we ensure we are ready for the returned artefacts?

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Zuhura
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museums as a bank of memories hold the responsibilities of continuing searching and negotiating for restitution/repatriation of cultural property that were taken away whether intentionally or unintentionally. I also think museums has a role to support the demand of the local community in making sure that their belonging is returned back because some of the objects were used to be kept at the family or community level so museum should also Speake on behalf of them to make sure they continue to celebrate their memories.

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Nmbure
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@zuhura I agree that museums are indeed repositories and they are in a better position to negotiate for the restitution and repatriation of the cultural property.I think when it comes to the local community, there is also need to educate them on the topic and in fact help them in identification of this artefacts, because at community level they are able to know what was or is stolen from them. The museum as a research institution can also help communities as advocates and advocate for their properties.

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Zuhura
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@nmbure Exactly this will result into the so called co creation and actions between museums and communities which is the good thing.

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Nmbure
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@zuhura Yes and towards the right direction

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Tsholo Kenathetswe
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@zuhura i am with you when you mention the need for museums to put a demand in the process of returning the artefacts because they have been taken at their sight and they are in the better side to trace them from their records...so we really need pressure from our museums.

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Nmbure
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@tsholo I agree on making demands, but do you think that the artefacts are taken away at the knowledge of museums?

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Tsholo Kenathetswe
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@nmbure well i think most of them are taken without the museum knowledge but that should not limit the museum role in making demands since they do have registries/records of such artefacts 

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Nmbure
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@tsholo I agree that sometimes the museums may not have knowledge but have capacity to ensure the artefacts are repatriated and restituted.

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Zuhura
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@nmbure I agree with that museum at least has a saying, so they are capable of making sure that these objects are repatriated and restituted

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Tsholo Kenathetswe
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I also believe museums do have a critical role to play in the  reinstituion/reparatrion of illegally removed collections from their origins because these are the very trusted professional bodies in keeping and promoting our heritage histories. They have the means to revive communities' memories and inspirations of their lost cultural objects through their scientific research, records to justify origins of the artefacts. 

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Nmbure
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@tsholo Yes museums over the years have been trusted and have been repositories of history through the artefacts the possess. They do have means and resources even through connections with other institutions. When it comes to provenance, the museum can work with communities to identify objects and their origin.

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Tsholo Kenathetswe
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@nmbure true, hence the need for museums to strengthen integrations with local communities.

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Zuhura
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@tsholo I also think even researchers have a role to play in this but only if they will work closely with museums help them to found out what has been taken away from the community so that they can be returned to the real owners.

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VINCIANE MOBIO
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In my opinion, the primary role of our museums in a process of restitution is to prove that another museum holds works that it owns and that have been acquired illegally, So go back in history and carry out scientific commissions to study the questions of provenance and establish the inventory of works to be restored.

Regarding questions of provenance of works and means of acquisition in order to list the stolen objects, the burden of proof was implicitly assigned to the French museums by our two writers Bénédicte Savoy and Felwine Sarr. There is a position taken in their work, which calls on French museums to prove a lawful acquisition of works from their collections.

This same remark was made and criticized by lawyer Emmanuel Pierrat, who in his book «Faut-il rendre des œuvres d'art à l'Afrique?» denounces this taking of
He explained that in both criminal and civil law, the burden of proof rests on the plaintiff, that is, African countries.

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Nmbure
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@vinciane-mobio I am in agreement in creation of an inventory, the article below shows a database that shows museums that are holding the Benin Bronzes. It's astounding to see how these museums even with knowledge that these artefacts do not belong to them still hold on to them.

https://www.artnews.com/art-news/news/digital-benin-database-looted-bronzes-museums-1234645731/

I like the point of proving legal acquisition which in most cases is probably a struggle for the western institutions holding these objects. 

As African countries, do you think we are putting enough efforts as the plaintiff?

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Zuhura
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@nmbure I think we are trying to make an effort to return them back but there are too many restrictions of which on one way or another they are discouraging.

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Nmbure
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@zuhura can you mention some of the restrictions? How do you think we can overcome these restrictions? Who are the people who can play a part in making sure these restrictions are overcome? 

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Zuhura
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@nmbure Well there are some conditions I think restrict us to have them back like source country should have adequate facilities or professionals so that they can take care of them when they will be returned which I don't think if we are uncapable of doing that. Some objects were taken directly from the local and they were meant to be used either for ritual purposes or other activities rather than being kept in museums abroad.

We can overcome this only if there will be active and ongoing discussions and collaboration between the locals, museums expertise and stakeholders including both national and international organization, negotiating and sometimes assist those who demand their collection to be returned in terms of training and facilities to support what they are doing.

I also think those who hold the collections (museums) they should take part to make sure these restrictions are overcome, they should help those who demand to have their collection back to revive communities' memories wealth and inspirations.

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Nmbure
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@zuhura Thank you for your response. I believe we should empower local communities with knowledge and resources that allow them to be ready for these objects once they are returned and also be in a position to have inter institutional dialogue working towards the same goals. I agree that its a work in progress even for those holding the items, they have a role to play in helping those demanding the objects back.

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Zuhura
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@nmbure Its true support is very important to the communities like educational programmes, will help to make them ready to receive what has been taken away from them. Though sometimes I think they know a lot of things concerning these objects than us maybe we should allow them to teach us on how we should take care of them instead.

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Nmbure
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@zuhura Agreed we had a workshop in June on community leaders and protection of heritage resources and as you said, the community has vast knowledge on these resources and we should give them a platform to share the knowledge they possess.

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Zuhura
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@nmbure Congratulation for taking good initiatives.

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Nmbure
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@zuhura Thank you!

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Tapha Dieye
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African countries that advocate for the repatriation or restitution of a cultural heritage plundered in a period of colonial domination must try to meet the following conditions:

- put in place policies for the identification and inventory of cultural property

- put in place strong legislation to ensure the security of identity assets

- build modern museums with architecture inspired by African engineering for the conservation and valorization of goods collected, returned or lent

- have a quality human resource and economic resources that can allow a better conservation of cultural property.

- involve the population and societies in the definition and application of cultural policies

- create, at the local level, ecomusées, community museums or museobanks for inclusive management and progressive integration of goods into depositary societies

- create at the sub-regional level conservation and interpretation centers of cultural collections belonging to disappeared societies or broken up by Balkanization

Finally, I would say that restitution is a necessity to allow Africa to rebuild the missing chains of a culture in search of identity. However, this restitution must be gradual and partial to allow African countries to better prepare and perpetuate the international renowned African art that would be presented in foreign museums to sell the tourist and cultural destination of our continent

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Zuhura
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@tapha-dieye I agree with you

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